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michael macrone : music |
| the telegraphed man |
1986/7. Originally performed by Michael Macrone (clarinet),
Dan Plonsey (soprano sax), Jennifer Rycenga (oboe), Irene Sazer (Violin),
Marc Wahrhaftig (horn), and David Adee (horn) at Trinity Chapel, Berkeley.
Conducted by Tom Statler. |
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| I. a day at the patent office | ||
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II. i. seeing the world by wireless ii. confidential to marconi from furious in ft. lauderdale |
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The Telegraphed
Man was inspired by developments in biogenics and cybernetics.
As early as 1950, mathematician Norbert Wiener claimed that
"the idea that one might conceivably travel by telegraph ... is
not intrinsically absurd." While he acknowledged the technical
difficulties of such transit -- "Any scanning of the human
organism must be a probe going through all of its parts," which would
certainly make it difficult to "hold an organism stable while part of it is
being destroyed" -- Wiener foresaw the day when new advances in
technology would make translating the genetic code into a sort of
Morse code as easy as erasing software. Today [in early 1987], scientists at Berkeley are bidding for the rights to map the human genome, and though skeptics see the project as mere trading in "chromosome junk mail," AT&T and the USPS are busy fixing the rates for transmission of human data ("Should we go with kilowatt hours, or bulk rate?"). As Jean Baudrillard stated, "Space is no longer even linear or one-dimensional: cellular space, indefinite generation of the same signals ... Such is the genetic code ... of which we are no more than cells-for-reading." |
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michael macrone gallery atlas |
wind quartet for lake resources balance the budget, now the telegraphed man the deuill in the horologe quartet 11:11 |
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